Ujungan is a tradition of asking the rain that developed in Banyumas, Central Java. This annual tradition is a martial arts contest o'clock conducted by a pair of adult males by using equipment such as rattan as a tool blade of the bat. Ritual led by a Wlandang (umpire), usually held during the long dry season. In this season, farmers desperately needed water to irrigate rice fields and also to provide drinking pet animals such as beef cattle, buffalo, goat, and so forth.
It is said, to accelerate the arrival of rain, players must reproduce Ujungan blow to his opponent to bleed. With more blood comes out due to a blow, so the sooner the rain will fall. Tradition held on prey Kapat (the fourth) and Kamo (fifth) in this dry season, the participants were adult men who have the ability to withstand the pain from the blow of rattan or pain during an impact with the opponent.
According to the local community, this Ujungan traditions come and appear before the Dutch colonized Indonesia. At that time, the goal is to be held tradition Ujungan rain pleaded to God. However, because when it was colonized by the Dutch Indonesia, the Ujungan tradition was later used as a training tool to establish martial fighters mentally and physically. This tradition is also somewhat fighters gave birth to a brave nation.
Then in the 1950s, the tradition developed as a venue search Ujungan martial arts warriors. Whoever can win this battle Ujungan, then social status in society will rise. For this reason many people are interested in becoming a player Ujungan, both of Banyumas and other areas in the vicinity. Even this tradition was also enthused by the martial arts warriors from the Batavia, Tanjung Priok, Cakung, Tambun, Cikarang, and others.
Over time, the tradition evolved Ujungan now only performing arts entertainment as usual. However, the provisions of regulations Ujungan game still refers to the earliest times Ujungan emergence of this tradition, both rattan that is used as a tool or Wlandang o'clock show. Rattan is used should have a fairly good level of flexibility, with a length of about 40-125 cm and a diameter of 1.5 cm. Provisions which required such as rattan was aimed to reduce the pain when disabetkan to the body. While a Wlandang must have a high martial arts skills. This is so that if one day one of the players Ujungan not satisfied with the results of the referee's decision and tried to fight the referee, the referee should dare to accept the challenge.
Ujungan is a ritual tradition that combines three types of art, that art music (Sampyong), dance-martial arts (Uncul), and martial arts stick (Ujungan). Another feature found on the tradition is the presence of attitude Ujungan uphold the value of sportsmanship, brotherhood, a sense of nationalism, patriotism and spirit of the nation as the next generation.
Performing Ujungan always accompanied with music called Sampyong, namely a kind of musical instrument xylophone made of wood cut. The shorter size of the pieces of wood the higher the tone produced. Wood pieces are then arranged above the transverse bamboo. Samyong tone is quite loud because it is a result of the vote reflected by the transverse bamboo. While the art of dance-martial art is Uncul Ujungan sneak preview before starting. Performing Uncul in this Ujungan pengibing often also called (the show that precedes the match accompanist). Uncul player is the first player who will compete in Ujungan. Uncul show begins with the player movement Uncul swirling invited to challenge the audience to compete. Then the audience you are trying to be the opponent player is a candidate Uncul second player in the game Ujungan. Viewers who accept the challenge and then enter into the performance arena, the scene is then Ujungan begins.
Ujungan usually played by a pair of adult males, but not infrequently also played by five pairs of players at once. This tradition also have game rules that should not be violated. These rules were in between, players are only allowed to blow Ujungan on the waist down except on the genitals. At the recommended target is bone dry and ankles. It is intended that participants do not get Ujungan threatening injuries. The victory in this fight judging from the number of scars found on the body. More and more former contained in the body blow to the player, the greater the tendency to lose.
Traditional rituals are in District Ujungan Somagede, Banyumas regency, Central Java Province, Indonesia.
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