Wayang Garing is not the kind of performance that rests on the play, but the row guyon (joke) that directly involve the owners of urination (committee) and the audience. Wayang Garing not some fairy tale that tells a story, but the conversation was a mastermind to the audience about the real lives of the masterminds in the middle of society. Since the beginning of the show, organizers said Dalang, community leaders, and some spectators. With the semi-jest seriously, the communication between the puppeteer with the audience until the end of the show still existed. This artistic excellence is grounded in the tradition of homogeneity and intimacy. Egalitarian nature of a very populist with a multicultural language, play and guyon composition, rhythm and performances of Wayang Garing standard are not easily found in the types of other puppets. Wayang Garing is very different in Yogyakarta wayang kulit or puppet show in West Java. Shadow puppet theater Stanislavski is very faithful to the play, while the puppet show is similar to Brecht's theater of exile with the shuffle play jokes. The difference is in itself reflects the cultural and community characteristics that support each of these arts. The nature of a very populist, egalitarian, with a multicultural language, play and guyon composition, rhythm and performances of Wayang Garing standard are not easily found in the types of other puppets.
Wednesday, October 7, 2009
Wayang Garing
Wayang Garing is not the kind of performance that rests on the play, but the row guyon (joke) that directly involve the owners of urination (committee) and the audience. Wayang Garing not some fairy tale that tells a story, but the conversation was a mastermind to the audience about the real lives of the masterminds in the middle of society. Since the beginning of the show, organizers said Dalang, community leaders, and some spectators. With the semi-jest seriously, the communication between the puppeteer with the audience until the end of the show still existed. This artistic excellence is grounded in the tradition of homogeneity and intimacy. Egalitarian nature of a very populist with a multicultural language, play and guyon composition, rhythm and performances of Wayang Garing standard are not easily found in the types of other puppets. Wayang Garing is very different in Yogyakarta wayang kulit or puppet show in West Java. Shadow puppet theater Stanislavski is very faithful to the play, while the puppet show is similar to Brecht's theater of exile with the shuffle play jokes. The difference is in itself reflects the cultural and community characteristics that support each of these arts. The nature of a very populist, egalitarian, with a multicultural language, play and guyon composition, rhythm and performances of Wayang Garing standard are not easily found in the types of other puppets.
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