Surak Ibra, initially known as the arts community Garut boyongan or Boboyongan featuring community leaders who called Pa Ibra. Finally, the community Boboyongan known as Surak Ibra, supposedly as a tribute to Mr. Ibrahim.
Development
Surak Ibra in its development into a typical folk performing arts, Garut, because this type is not in other regions. In a speech about the history of Surak Ibra, was recorded as follows:
Around the year 1910 was a public figure named Mr. Eson develop Boboyongan with the title of the society as Surak Eson. But after death, Surak Eson unpopular again, back to the community called Boboyongan as Surak Ibra.
In the past Surak Ibra performed at parties in Garut, commonly known as the "party king". At that time the palace (regents) held a celebration Garut. Surak Ibra in their development is often presented in a ceremony major holidays (especially Independence Day of the Republic of Indonesia). Particularly in rural Cinunuk, Garut, where many people visit the tomb Cinunuk, to increase the sense of solidarity and foster unity among citizens. So on May 30, 1910 at Kasepuhan Cinunuk community formed an organization called the Association of Dalem Gold (HDE) which participated ngamumule, preserving Surak Ibra. But in 1948 HDE dispersed, with the consideration that the state-owned Surak Ibra, since 1948 the management of Surak Ibra followed by village officials until now.
In a further development, the development of Surak Ibra, today Mr. Amo became known as the heir of Surak Ibra. In the various activities, Mr. Amo always led Surak Ibra from Garut and trusted community supporters Surak Ibra as elders. Surak Ibra today has become a distinctive performing arts Garut, but not at other regions, also has a flexible nature as the potential for a colossal container art, and has been proven when invited in ITB Art Festival in 2000, and brought dozens of sculptures of dancers Ganefa by Surak Ibra , which had stunning pertunjukkannya Art Festival audience at that time.
Forms show
Surak Ibra show involves a number of people, especially men. The show began with a number of youths carrying flaming torches and take berbanjar formation. They danced silat movements. Followed by a group of dancers Surak Ibra (usually of about 30-60 people) who wear costumes fighter (just do not use black again, but yellow and red) to move with enthusiasm, showing the movements of martial art. There are acting as the regulator (the giver of command), the background music of his command struck simultaneously (usually songs Golempang) continued with cheers loud (in Sundanese eak-eakan), between the music and cheered create a festive atmosphere and dynamic. After that they made certain formations with movements martial art. By the time they make a circle formation, one of them acting as a figure who will trafficked (lifted up), when the shrinking circle of leaders was appointed by some dancers Surak Ibra, he resigned raised up and down, followed by music and cheers of the more colorful . He was in the hands of Surak Ibra dancers dancing and moving from hand to hand, sometimes once soared high up, cheering even more crowded. Usually after Surak Ibra attractions are stunning, back to the original formation as a Helaran.
Musical accompaniment in the formation behind the continued accompaniment throughout the show, performed a similar attraction back to certain points along the way Helaran.
Surak Ibra background music that in general, equal to escort Kendang Pencak, only added dogdog angklung and complement. Songs martial art is often used, such as: Golempang, Padungdung, etc..
Meaning
Some of the meaning contained in the performance of Surak Ibra is
The meaning of Thanksgiving: the community as a community usually has a way of thanksgiving based on the inherited pioneering way. As Surak Ibra, who departed from the sense of tribute to Mr. Ibrahim charisma as a respected warrior Silat in Garut at the time;
Meaning theatrical: Surak Ibra display with the number of supporters more than 60 people, showed theatrical opportunities, especially when the scene up and down boboyongan coupled with cheers in unison.
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